Let the world change you, and you can change the world.
The Motorcycle Diaries, which world-premiered to a standing ovation at the 2004 Sundance Film Festival, follows an inspiring journey of self-discovery and traces the youthful origins of a revolutionary heart. The rich and complex human and social topography of the Latin American continent is unveiled in all its glory as two friends experience life at its fullest. The film, directed by Walter Salles (Central Station, Behind the Sun), is adapted by José Rivera from the journals of two real-life young Argentines, Alberto Granado and Ernesto Guevara de la Serna - the latter of whom would become "El Che."
In January 1952, Ernesto (played by Gael García Bernal) is a 23-year-old medical student specializing in leprology. Alberto (Rodrigo de la Serna), age 29, is a biochemist. The two men bid goodbye to their families and to Ernesto's girlfriend Chichina Ferreyra (Mía Maestro). Flush with a romantic sense of adventure, they pile onto Alberto's 1939 Norton 500 motorcycle (nicknamed "La Poderosa" ["The Mighty One"]). The aging bike carries them farther and farther away from familiar and comfortable Buenos Aires surroundings, to surprising and exciting destinations. The two friends become as close as brothers.
Over the course of eight months and 8,000 miles, what starts out as a lark becomes a profound journey of discovery, not only of themselves but of a continent filled with infinite sorrow - and infinite hope. From homeless miners to riverboat prostitutes, from lepers to prosperous gentry, Ernesto and Alberto discover an affinity for humanity within themselves, and a determination to change the world.
Gael García Bernal (Ernesto Guevara de la Serna)
After working as an actor in his native Mexico since childhood, Gael García Bernal made his feature film debut in Alejandro González Iñárritu's Academy Award-nominated Amores perros. His breakthrough performance in the universally acclaimed film earned him a Silver Ariel Award (Mexico's equivalent of the Oscar) as well as a Silver Hugo Award at the Chicago International Film Festival, both as Best Actor.
Mr. Bernal's next film role was in another globally celebrated feature, Alfonso Cuáron's Academy Award-nominated Y Tu Mamá También, starring opposite his lifelong friend Diego Luna. For their performances, the two friends were jointly voted the Marcello Mastroianni Award at the Venice International Film Festival.
He subsequently starred in the title role of Carlos Carrera's Academy Award-nominated romantic drama El Crimen del padre Amaro [The Crime of Father Amaro]. His performance earned him the Silver Goddess Award for Best Actor from the Mexican Cinema Journalists, as well as a nomination from the Chicago Film Critics Association for Most Promising Performer.
Mr. Bernal can also be seen starring this year in Pedro Almodóvar's La mala educacíon [Bad Education]. He next begins work on James Marsh's independent feature The King.
Walter Salles (Director)
Brazilian filmmaker Walter Salles' 1995 feature Foreign Land (which he co-directed with Daniela Thomas) won Brazil's Silver Daisy Award for Best Film of the Year, among other honors.
His next film, Central Station, was selected for the Sundance-NHK Cinema 100 Award for its screenplay (based on his original story), and world-premiered at the Sundance Film Festival in 1998. Central Station went on to win the awards for Best Film and Best Actress (Fernanda Montenegro) at the Berlin International Film Festival that same year, as well as the Golden Globe and BAFTA Awards for Best Foreign-Language Film. The film also received two Academy Award nominations, for Best Foreign-Language Film and Best Actress; and won Brazil's Silver Daisy Award for Best Film of the Year.
Mr. Salles' 2001 feature Behind the Sun, which he directed and co-wrote, was nominated for BAFTA and Golden Globe Awards for Best Foreign-Language Film; and won Brazil's Silver Daisy Award for Best Film of the Year.
In addition to his work as director and screenwriter, his career in feature films also encompasses acting as producer or co-producer of young Brazilian filmmakers' features. He co-produced the multiple Academy Award nominee City of God, directed by Fernando Meirelles and co-directed by Katía Lund; and produced Karim Ainouz's acclaimed Madame Satã. He is currently producing Cidade Baixa, the first film by his former Assistant Director Sergio Machado; and Andrucha Wattington's The House of Sand.
Mr. Salles' next film as director is the American-made feature Dark Water, a thriller starring Jennifer Connelly.
José Rivera (Screenplay)
José Rivera's plays have been translated into six languages. They include Marisol (Obie Award winner [off-Broadway's top prize] for Best Play), References to Salvador Dali Make Me Hot (which also earned him an Obie Award), Cloud Tectonics, Each Day Dies with Sleep, The Promise, The House of Ramon Iglesia, Giants Have Us In Their Books, Sueno, The Street of the Sun, Sonnets for an Old Century, Brainpeople, and Adoration of the Old Woman.
He studied with Gabriel García Marquez at the Sundance Institute and was writer-in-residence at the Royal Court Theatre, London, on a Fulbright Arts Fellowship in Playwriting.
Mr. Rivera's television work includes the critically lauded NBC series Eerie, Indiana, which he co-created and produced. He has also written teleplays, among them an adaptation of his own The House of Ramon Iglesia (for PBS), as well as feature screenplays.
The native Puerto Rican serves on the boards of The Sundance Institute and the Independent Feature Project.
